John Golding brings to his writing the sure eye and profound sensitivity of a practicing artist. Perhaps best known for his seminal history of Cubism, Golding has long been regarded as one of the most outstanding art historians and critics of our time. This volume brings together many of his most important essays, and its publication will be celebrated not only by his admirers, but by lovers of art and language everywhere.Visions of The Modern covers a vast range of twentiethcentury art, from Matisse and Cubism, Dada and Surrealism, to aspects of postwar American art. Some essays have been out of print, while others have appeared in periodicals not easily accessible to the average reader. Taken together, they establish a sustained, deeply informed account of many of the grandest moments in the art of this century.A much admired painter, Golding's unique balance of eye and mind infuses his exceedingly literate criticism. Combining a meticulousness in matters of fact with a capacity to write in a lucid, jargonfree manner, he addresses equally the sophisticated art historian, the cultural historian, and the general reader.An appendix to the volume is in the form of a dialogue between Golding and the philosopher Richard Wollheim. It provides additional insights into the origins and aims of abstract art, as well as revealing the mind of an invigorating artist at work. John Golding brings to his writing the sure eye and profound sensitivity of a practicing artist. Perhaps best known for his seminal history of Cubism, Golding has long been regarded as one of the most outstanding art historians and critics of our time. This volume brings together many of his most important essays, and its publication will be celebrated not only by his admirers, but by lovers of art and language everywhere.Visions of The Modern covers a vast range of twentiethcentury art, from Matisse and Cubism, Dada and Surrealism, to aspects of postwar American art. Some essays have been out of print, while others have appeared in periodicals not easily accessible to the average reader. Taken together, they establish a sustained, deeply informed account of many of the grandest moments in the art of this century.A much admired painter, Golding's unique balance of eye and mind infuses his exceedingly literate criticism. Combining a meticulousness in matters of fact with a capacity to write in a lucid, jargonfree manner, he addresses equally the sophisticated art historian, the cultural historian, and the general reader.An appendix to the volume is in the form of a dialogue between Golding and the philosopher Richard Wollheim. It provides additional insights into the origins and aims of abstract art, as well as revealing the mind of an invigorating artist at work.

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